
Rhodessa, dressed in an orange prison jumper from South Africa (orange the universal prison attire, like a brand), appears with a whip. All the sensations: cold, hard, eerie darkness, unfamiliar sounds, smells, give the audience plenty to contemplate, especially those in the first two rows where the whip spinning in Rhodessa’s hand over our heads, which she then flicks, we feel, too close to our faces as its breeze and the sting of its impact hits the ground again too close for comfort. But this theme – the Black holocaust – is it supposed to be an idea that brings ease?
Tags:
African American Center for Art and Culture,
Black Codes,
Buriel Clay Theatre,
Cecil Brown,
Cultural Odyssey,
enslaved woman,
Fillmore,
head constraint,
Idris Ackamoor,
Jim Crow America,
Joanna Haigood,
Pam Peniston,
Rhodessa Jones,
San Francisco Arts Festival,
Sargent Johnson Gallery,
Stephanie Johnson,
Wanda Sabir,
Zaccho Dance Company

Wednesday, Oct. 15, at the Prescott Joseph Center we honored the legacy of the San Francisco Bay Area’s premiere artists: Berkeley resident Joy Holland and Oaklander by way of St. Louis Casper Banjo, with featured artist Keith Hopkins, another Oaklander. The exhibit is titled “Breath of Our Ancestors.”
Tags:
Allensworth,
Ankh Productions,
Avotcja,
Black Panther Party,
Black Poets with Attitudes,
Black Repertory Theater,
Breath of Our Ancestors,
Casper Banjo,
Chuck D,
Eddie Abrams,
Flavor Flav,
Joanna Haigood,
Jon Hendricks,
Joy Holland,
Keith Hopkins,
Lathan Hodge,
Living Word Project,
Mary Rudge,
Mos Def,
Museum of the African Diaspora,
Nation of Islam,
Oakland International Film Festival,
Oakland Tech,
Prescott Joseph Center,
Professor Griff,
Public Enemy,
San Francisco Trolley Dances,
Shanique S. Scott,
TheArthur Wright,
Tulare County,
Wanda Sabir,
Zaccho Dance Company